Questions to Test Your Story

I’m now the probationary member of a new writing group in Bend. Along with my first sub, I’m sending them the following list of things I scrutinize when revising my first draft of a story, aside from basics like grammar, punctuation, consistent viewpoint, and so on.

Questions to Test a Story

  1. Do I set up a character and situation and interesting question soon enough and strongly enough?
  2. Is the interesting question resolved well enough by the end?
  3. What does the character deeply want? What concrete goals advance the character toward what they want?
  4. Does the character — or at least the reader — gain deeper insight into what the character wants?
  5. Is the character tested, and does that test show what they’re capable of, either strength or tragic weakness? (Some writers ask if the character is changed, but not all stories involve change so much as revelation, and change implies revelation.)
  6. Are there enough threads in the story, that is, enough sub-stories of supporting characters giving texture to the story. Is every bit player used to good effect? Could they be fleshed out more, or would that draw energy from the story? (The lives of other characters surface and recede from the story, but I need to know — and more importantly explain — enough about the untold story that when a minor character surfaces at point A and resurfaces at point B, the thread of their own story is both clear and clearly important to the main story. Or maybe after considering the thread, I decide to demote or remove the minor character.)
  7. In each scene, especially a dialog-heavy one, is there enough emotionally consistent background detail layered behind the foreground detail, like smells or noises that comprise a motif. (The curtains are blue for a reason — absolutely. The viewpoint character filters the story through their perceptions, and what they notice reflects their mood and attitudes, so anything that impinges on that attention is important. )
  8. Is the foreshadowing good, or is the development telegraphed? (That is, will people see things coming a mile away that I want to be a surprise?) Are surprising things prepped well so they come off as a logical rather than arbitrary surprise?
  9. Is the story significant enough? Does it have universal overtones, or is it too small? Does it mean anything?
  10. Does it resonate? That is, does your imagination work on it after the last line?
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Name Change

At the urging of my wife and daughter, I’m changing the name of my blog. “Bestiary in Progress” was too geeky for them. My daughter suggested “Far Green Country” — a nod to Tolkien — and I like it. I told her that I’d write a post explaining it was either that or “Mouse Rat.” She rolled her eyes: “No one will get it except Parks and Rec fans.”

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Strange Toys: Beyond Holo Glasses

First, start here:

http://www.theverge.com/2015/1/21/7865701/hololens-video-preview-microsoft-ar-headset

We will see this consumer technology mature over the next decade. As with the other Strange Toys I’ve described, there will be a biomechanical convergence, creating a breakdown between the subjective and objective worlds of many people. The Disinformation will reach its apex when you can’t tell not only what’s real in the news but also what’s real right in front of you.

I realize I didn’t adequately catch you up on the tech that precipitated the Collective (described in the first Strange Toys). Here’s a story I wrote about it: Antisocial.

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Strange Toys: The Author App

I’ve been trying to dig up a citation for a quote I heard on NPR long ago, which I believe was attributed to Robert Giroux of the publishing house Farrar, Straus and Giroux. It’s to the effect of “I publish writers, not books.”

Likewise, the core unit of publishing will be the author app, and here’s how it will evolve, according to Abe, who indulged my questioning this morning. You see, I’m the architect of several publishing e-commerce sites and of Baen Publishing’s first Web API for mobile applications, and publishing is my special area of interest where coding and futurology is concerned.

The first publishing apps are simply like individual, tailored e-bookstores for authors. Users download the app and get alerts when the author posts new free content and when the author’s for-pay content becomes available, all of which can be accessed within the app, though it will present options for sending content to other apps, like the Kindle, for instance. Free content will include blog posts; press releases; excerpts of text, video, and audio; and even trailers for graphic novels, games, and movies for the most popular authors. For-pay content will be, well, the for-pay versions of these things.

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Strange Toys: Overview; and Intro to the Collective

The future arrived a long time ago; futurism is actually a kind of archaeology. I’ve done some digging, and you won’t believe the toys we’ve got coming. If you’re behind on this, you can catch up here, and more generally, here.

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Je Suis un Jerk

I’ve seen a lot of my fellow liberals posting things to the effect of, “Yeah, it was horrible what happened in France. There’s no excuse for it. On the other hand, we should not be jerks, and the Charlie Hebdo guys were pretty jerky.”

Here’s my rebuttal:

1. Yes, try not to be a jerk.

2. When it comes to free speech, it’s the jerks you’ve got to defend, not the nonjerks, as you see it.

3. There’s always a glimmer of a chance that what you take to be jerky behavior was, in fact, not, that you’re missing context, subtext, or irony or otherwise plain don’t get it. Well, of course you are always right, but the other guy might not be. Right? Do you want him making a mistake about you?

Free speech is about the speech that pisses you off. Telling people not to be jerks is all well and good, but as a liberal political stance, it’s a nonstarter. There’s no mitigation for what those bastards did to those journalists.

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Values and the Definition of Religion

In relation to my last post, a friend of mine on Facebook was not clear on my definition of religion in relation to values, so this is how I replied.

Sure, Ed, the word “values” is tricky because when I talk about values, I’m not always rigorous about separating foundational values that can’t be reduced, from a system that builds on those foundational values. Also, I talk about our evolved moral equipment as being “values,” but that’s pretty loose of me, because though we evolved selfishness and altruism among other “values,” really they’re only values when they enter our thoughts mediated by language, at which point it becomes negotiable how we apply them to the real world. Our evolved tendencies that support values in this sense might be better described as instincts.

So I think you hit the weak point in my language, and I’m grateful for the opportunity to explain.

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Secularism, and Pounding on Religion

Here’s a redacted set of outtakes from my side of religion Facebook arguments I’ve been having. Of course they’re inspired by the tragedy in France. I’d really like to be done with this, but as soon as I’m out, they pull me right back in. Enjoy!

Science has increasingly wrested epistemology from religion, at least where the so-called natural world is concerned, but it does not replace foundational values nor help us order and negotiate them. Western culture is in dialog with Christianity. It’s probably no mistake that Christianity and secularism have risen together, nor that despite a long, bloody negotiation we’ve increasingly valued free speech. Consider that, according to the story, the founder of Christianity could have retaliated against those who tortured him, mocked him, and spit on him but didn’t — that he thereby proved his strength, not his weakness. Take it as just a story if you must, but you have to acknowledge the strong value of free speech therein implied.

We each have our own system of values that we need to align with those of others. That process of alignment is ongoing, ultimately irrational, and takes work and massive energy investment. We know what a society is like if it creates a state religion or expunges itself of religion through coercion. Its practice of values is narrow and despotic. So far, our Founding Fathers seem to have engineered a good compromise. Of course, free speech is vital to that compromise. I do have misgivings that some major religions will need to either reform or go.

People don’t just make up religious stories. They negotiate them. In evolutionary terms, these stories are the semi-coherent noise produced by a range of phenotypes struggling to propagate among various environments — and, in the case of the Abrahamic religions, especially arid environments (and deserts are a powerful universal symbol, wherever you grow up). The stories are a pattern, not a narrative set down by a discrete auteur. One can’t pretend that literary criticism neatly applies. If it did, a literary genius could simply create a tidy religion and be done. It doesn’t work that way. And saying so is not being an apologist for the grim spectacle of religion; it’s simply stating a fact.

Literalist, dogmatic religion is a cultural artifact that I hope we can outgrow. Religion itself? Very unlikely. And those secular humanists who don’t acknowledge that undermine the very project of reason and fairness they hope to support.

There are Christians and other religious people who embrace scientific epistemology and aren’t enemies of progress, and it’s counterproductive to pretend such religious people don’t exist and to mock those on the fence while trying to encourage them to be rational.

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Religion’s Role in Society: A Brief Summary

Today fundamentalist Muslims assassinated cartoonists in France, inciting understandable outrage among my friends at not just the act but dogmatic religion in general. A friend of mine blamed religion and insisted it had to go. After making my usual disclaimer that I deplore literalist religion and superstition, I added the following to his Facebook thread, with some impatience for his blanket condemnation, which I think is not only wrong but impractical:

We’ve discussed this to the point that I obviously exhausted your patience. I’ll sum it up again here anyway.

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A Long Trip with Lucius, Part 8

We dragged ourselves up after daybreak. Lucius’ burbling snores had disturbed my sleep. I didn’t make an issue of the snoring till much later, when it was really too late. Further into the trip, two mornings after Gullivar left us, Lucius narrowed his bleary eyes at me and say, “You know, you snore.”

As I struggled to get up, a relatively fresh Lucius followed Gullivar’s turn in the bathroom. Thus far, we hadn’t showered and so were all ripe, and I looked forward to hot water.

Now, Lucius wouldn’t like what I’m about to say. He scorned describing characters in terms of celebrities. Reading a printout of this travelogue, he’d no doubt huff and adjust his ass on its seat, clenching the papers two-fisted above his stomach, peering at them under his glasses. Following Lucius’ turn in the bathroom is like the scene in Planes, Trains, and Automobiles where Steve Martin follows John Candy.

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